Ingram Gallery @TorontoART

#AtTheGallery Art ART #art ... a gallery and more ingramgallery.com 24 Hazelton Avenue, Toronto Joined May 2009

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Ingram Gallery @TorontoART

3 days ago

"Art should be a means of emptying ourselves of something we have reacted to... The artist should use his own eyes to the full.” ––Caven Atkins (1907-2000) Caven Atkins in studio at 16 Howland Avenue | Toronto, 1935

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George Daicopoulos @GeorgeDaico

10 years ago

It’s official. #BuyanArtistaDrink -- a humorous look at the lives of artists -- is a HOT title at #shopAGO.

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Ingram Gallery @TorontoART

3 days ago

• Painting is the most unmediated art form: No committees. No notes. No edits. One vision • Painting taps into deep and resilient ways of seeing and feeling ✍️ • Painting continues to defy AI Resisting the machine: Why painting is exactly what we need right now hosted earlier this month #AtTheGallery by author @GeorgeDaico and Emmette Lewis #artist

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Ingram Gallery @TorontoART

3 days ago

SEAN YELLAND // Toronto, Ontario Half Time oil on canvas on panel 36 x 36 inches ➡️ ingramgallery.com/artists/sean-y…

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Fascinating History @Fascinate_Hist

4 days ago

Sometimes, the smallest details bring us the greatest joy.

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Le libraire @robear54

4 days ago

Mon petit musée… avec un air d'été. Marc-Aurèle Fortin (Québec, 1888-1970), « Ferme à Sainte-Rose », 1923, Musée des beaux-arts de Montréal, Québec.

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Ingram Gallery @TorontoART

3 days ago

"For me, painting is not simply moving a brush over canvas, but a result of careful observation of reality in order to fashion a different reality." —Vlad Grospic #AtTheGallery Ingram Art News: Why painting is exactly what we need right now conta.cc/4dYOCiY

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Ingram Gallery @TorontoART

3 days ago

Artist Interview EMMETTE LEWIS #AtTheGallery // Summer 2026 Painting Memory, Identity & the Spaces Between In a world where identity is increasingly shaped by movement, memory, and belonging, artist Emmette Lewis creates work that quietly invites audiences to pause and reflect. Through deeply personal visual narratives, Lewis explores themes of diaspora, family, ecology, grief, and cultural memory, transforming intimate experiences into emotionally resonant works that feel both personal and universal. Raised between South Africa and British Columbia and now based in Toronto, Lewis draws from the intersections of geography, heritage, and lived experience to create pieces that blur the boundaries between documentation and emotion. Working across painting and archival materials, her practice examines how home, identity, and place continue to evolve across time and distance. In this exclusive interview with TorontoPages Magazine, Emmette Lewis reflects on her artistic journey, creative process, evolving practice, and the powerful role art plays in preserving connection, reclaiming identity, and telling stories that transcend borders. thetorontopages.com/emmette-lewis/

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Ingram Gallery @TorontoART

3 days ago

Artist Interview EMMETTE LEWIS #AtTheGallery // Summer 2026 thetorontopages.com/emmette-lewis/

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Ingram Gallery @TorontoART

3 days ago

Art Museums Marc Mayer, C.M. Jun 18, 2026 "It is the accumulated evidence that human consciousness, at its most concentrated and least defended, produces things worth crossing centuries for." friction5.substack.com/p/art-museums

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Ingram Gallery @TorontoART

4 days ago

ANJA KARISIK // #Toronto, Ontario New Series! Stilled #AtTheGallery Gridlock (Financial District) liquid charcoal on Yupo paper 20 x 20 inches Blessings @atelierkarisik 🎨

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Ingram Gallery @TorontoART

4 days ago

VLAD GROSPIC // Toronto, Ontario Dancing Birch (2026) oil on canvas 48 x 84 inches New collection #OnNow #AtTheGallery 🎨➡️ ingramgallery.com/artists/vlad-g… #contemporaryart #painting

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Ingram Gallery @TorontoART

5 days ago

“One of the more underappreciated pleasures of city life is going to a local gallery on a Saturday afternoon and looking at art. You don’t need a trained eye or a fine arts degree, just an open mind and a willingness to look and explore your perceptions” —George Daicopoulos Ingram Art News: Why painting is exactly what we need right now conta.cc/4dYOCiY

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Toronto Public Library @torontolibrary

6 days ago

Get a glimpse of Yorkville from the early 20th century to the 1950s through the memories and family stories of people who were there. June 23 at 1 pm I Yorkville Library Learn more: ow.ly/vzoZ50Z4S8r

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Ingram Gallery @TorontoART

5 days ago

The Uffizi Galleries in Florence have hung their two most famous paintings—Sandro Botticelli’s Primavera (around 1480) and The Birth of Venus (around 1485)—opposite one another for the first time. theartnewspaper.com/2026/06/18/uff…

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Ingram Gallery @TorontoART

6 days ago

People really love art.

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Ingram Gallery @TorontoART

6 days ago

"Sometimes I ponder how we are living through a strangely fearful cultural moment. People are afraid to speak too freely, to praise too directly, to disagree too firmly, to touch, to joke, to admit uncertainty, to ask the wrong question, or to be misunderstood by someone already prepared to translate “a bad day” or trauma into injury. The result is not a more humane culture, but often a colder one. We have become so fluent in the language of “care”, “accountability”, “safety”, and “harm”, yet increasingly unsure how to actually practise real human interactions that is created from warmth, candour, forgiveness, or trust. Having lived roughly half my life before this vocabulary became so dominant, I remember a world where affection, humour, disagreement, and ordinary intimacy did not always require advance negotiation. This is one of the more troubling contradictions of our age. A vocabulary that was meant to make us more attentive to one another has, in many ways, made us more suspicious of one another. Necessary movements for justice have exposed real abuses of power, real exclusions, real humiliations, and real silences. That cannot be dismissed. But something has gone wrong when the moral imagination narrows into reflexive accusation, when every awkwardness is treated as evidence, every difference as hostility, every uncertainty as cowardice, and every institution as guilty until it performs its innocence in public. The trouble is not that society has become too compassionate; the trouble is that it has become too anxious to know what compassion actually feels like." ... paulkylegallery.com/post/art-in-th… By Diamond Zhou Written with time, thought, and a human pulse.