Reverse Shot @reverse_shot
Reverse Shot is a publication of Museum of the Moving Image @MovingImageNYC, edited by Michael Koresky and Jeff Reichert. Twitter: Koresky reverseshot.com NYC & beyond Joined August 2009-
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Lizzie Borden’s kickass feminist, queer dystopia is one of the most fearless and inventive American indies ever made, a postpunk missive that rejects complacency and political compromise. BORN IN FLAMES screens in 35mm, this Sunday. Tickets: movingimage.org/event/born-in-…
A litmus test for De Palma aficionados, BODY DOUBLE uses a Hitchcockian template to dunk things as far into a bucket of sleaze as possible—and re-emerges as a work of meta-genius. Screens Friday, part of our new De Palma: Summer of Suspense series. 🎟️: movingimage.org/event/body-dou…
@analogfilmnyc We’re not happy about it.
By the People, For the People: Real American Tales continues with a massive weekend of seminal films. NOTHING BUT A MAN in 35mm THE QUEEN in 35mm DAYS OF HEAVEN CHAN IS MISSING BUDDIES with special guests Get tickets ⬇️ movingimage.org/series/by-the-…
Can't wait to screen this beauty.
June 14: One of the greatest of all silent films, King Vidor’s thrilling masterpiece, THE CROWD, features some of the most remarkable camerawork committed to celluloid. Presented in rare 35mm with live piano accompaniment by Makia Matsumura. 🎟️: movingimage.org/event/the-crow…
Celebrating like Spike🟠🔵 See Lee's New York masterpiece DO THE RIGHT THING in 35mm on June 19 & 20. Part of our By the People, For the People: Real American Tales series. 🎟️: movingimage.org/event/do-the-r…
With the swap of his 16mm Bolex for a digital camcorder, Jonas Mekas gave himself new creative possibilities. @sadfilmcritic on Jonas Mekas's A LETTER FROM GREENPOINT, closing our Reverse Shot: Revolutions essay symposium on a century of film technology. reverseshot.org/symposiums/ent…
The greatest American movie of the 1960s.
One of the finest American films of the 60s, this masterpiece by Michael Roemer is a moving drama about Black life in the South—filled with gorgeous, compassionate close-ups. NOTHING BUT A MAN screens this Saturday in 35mm (courtesy of @TheFilmDesk). 🎟️: movingimage.org/event/nothing-…
For @reverse_shot I went deep on what is surely the movie of the year: Patrick Wang’s A. Rimbaud. It was wonderful grappling with this magnificent film AND Rimbaud’s poetry, which I had not revisited in years since college. Playing tonight @RoxyCinemaNYC
More than 40 years before RuPaul's Drag Race, this groundbreaking documentary about the 1967 Miss All-American Camp Beauty Pageant introduced audiences to the world of competitive drag. THE QUEEN screens in 35mm this Saturday. 🎟️: movingimage.org/event/the-quee…
3 essentials on the big screen today: THE GRAPES OF WRATH SHANE (Archival 35mm IB Technicolor print) KILLER OF SHEEP 🎟️: movingimage.org/events/list/?t…
FORASTERA, Spanish filmmaker Lucia Aleñar Iglesias’s marvelous directorial debut opens today. Review by @Reckless_Edit: reverseshot.org/reviews/entry/…
Palestinian filmmaker Kamal Aljafari rediscovered 2001 footage of a road trip through Gaza with a guide named Hasan. He has compiled the material into the haunting historical testimony WITH HASAN IN GAZA, opening today. @simplylovia reviews: reverseshot.org/reviews/entry/…
Revisit @lawrencengarcia's NYFF review of Milagros Mumenthaler's gripping feature THE CURRENTS, opening this week.
One of the less-hyped highlights of NYFF is Milagros Mumenthaler's THE CURRENTS, evocative of THE HEADLESS WOMAN and SAFE, but with its own unsettling rhythm and opacity. @lawrencengarcia reviews: reverseshot.org/reviews/entry/…
For @reverse_shot, we reassembled a brain trust to talk about video games, this time the history of peripherals, featuring myself, @kambolecampbell, @woahitsjuanito, @capybaroness, and @winnersusedrugs reverseshot.org/features/3461/…
In conjunction with Isaac Butler’s new book "The Perfect Moment: God, Sex, Art, and the Birth of America’s Culture Wars, " our new series reexamines seven films that came under conservative fire during the late '80s and early '90s. Opens June 26: movingimage.org/series/culture…
An essential work of labor cinema, John Sayles’s remarkable and gripping MATEWAN brought a forgotten and bloody chapter of American history to vivid life and was one of the independent breakthrough hits of the eighties. Screens in 35mm this Friday. 🎟️: movingimage.org/event/matewan/
With its gumball visuals and zany costumes, I LOVE BOOSTERS @BootsRiley joyfully indulges in sensory splendor—on screen and on skin—while equally insisting on a just world. See my review @reverse_shot! #lipsticksocialist
My review of I LOVE BOOSTERS is up @reverse_shot! Sumptuous fashion plus leftist solidarity? I, for one, was totally in. @BootsRiley reverseshot.org/reviews/entry/… #iloveboosters #lipsticksocialist
Screen Slate @ScreenSlate
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33K Followers 2K Following A guide to moving image culture in NYC. Criticism, listings & programming around repertory film & media art. Follow @ScreenSlateSF for the Bay! Tweets @jondotd
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70K Followers 1K Following @mubi's international film publication, exploring all sides of cinema culture—both online and in a biannual magazine.
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Christina Newland @christinalefou
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a small coat i have, ... @vicshakapopulis
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